(23/9/2018) 21st of September: Official release day for Dystopia (DiN56) by Parallel Worlds & Dave Bessell. Available @ iTunes, Spotify, Amazon etc but it's always best to support the label & artists directly @ https://din.org.uk/album/dystopia-din56
(17/9/2018) Parallel Worlds & Dave Bessell - Dystopia (DiN56) now on Bandcamp: https://din.org.uk/album/dystopia-din56
Various Artists Tone Science Module No.2 Elements and Particles DiN:TS02
Release date 19th October 2018
Limited to 500 copies. Digipak CD format.
Tone Science sub-label, from DiN records, continues to explore the world of modular synth music.
This second compilation “Module No.2 Elements and Particles”, like its predecessor, features nine artists from different musical backgrounds with the common thread being that all the tracks were composed entirely with a modular synth system.
The album opens and closes with the ambient soundscapes of two tracks by Todd Barton and r beny. Barton is a world renowned exponent of Buchla modular systems as well as the Music Easel employed on this track. Austin Cairns (aka r beny) has a penchant for lo-fi looped synth atmospheres which combined, in this case, with a field recording creates a haunting, evocative piece. The next three pieces by Bluetech, Parallel Worlds and Paul Nagle build up rhythmic and sequenced elements with a fascinating amount of detail that modular systems are so good at. They also all use various methods to produce a poly-rhythmic, fractal feel as patterns shift and change throughout their tracks. The middle of the album then sees a fascinating experimental ambient interlude by Dave Bessell (a member of the synth group Node) using waveguide physical modelling in the analogue domain. The second half of the album has a rawer, more gritty feel with Richard Quirk building up a crescendo of wonderful textures in his track “Radar Hill”. This is followed by Hainbach using the exotic Ciat-Lonbarde series of hand built instruments to produce, in his words, a piece of “pure electronic music”. Nathan Moody then brings proceedings to a climax with a gnarly, muscular track using a Buchla modular system before the blissful ending piece “Marine Layer” closes out the 60 minute sonic journey the listener has just travelled.
Boddy has curated both the artists and tracks on this album to flow in a musical way and not just be a collection of equipment heavy demos. Though fascinating and always cool to look at, it is important not to get lost in the gear for gear’s sake syndrome. Having said that this album features Eurorack, Serge, Buchla & Ciat-Lonbarde modular systems and the nine tracks show how varied and flexible these instruments can be.
“Tone Science Module No.2 Elements and Particles” continues the journey down the rabbit hole of possibilities and sound worlds inhabited by artists and musicians working in this ever fascinating and varied musical field.
(13/6/2018) an old PW Live set from Reworks festival 2009 (including unreleased track) : https://soundcloud.com/parallel-worlds/parallelworlds-reworks-20090919
(09/06/2018) DiN label Bandcamp page: http://din.org.uk/
(08/06/2018) new PW facebook page: https://web.facebook.com/parallelworldsmusic/
(08/06/2018) Parallel Worlds and Dave Bessell (of NODE) are working on a new collab album to be released during 2018. more details later...
(05/10/2011):
The creation of "Benthos" has been a long process initiated in mid-2007 when Law visited Sirros in his home town of Athens, Greece and the duo orded some initial material together comprising a variety of soundscapes, sequences, analogue rhythms & organic atmospheres. On his return to Melbourne in Australia, Law sculpted this raw material into a set of 6 tracks which were augmented by further soundscapes, rhythms and arrangement ideas sent across to him by Sirros. The gestation of "Benthos" took 4 years in total and has resulted in the birth of a complex and fascinating ambient electronica album. The pieces range from dark, industrial rhythmic tracks to cosmic style slabs of ambience and showcase the duos use of modular analogue synths alongside computer software manipulation.
The album is also available as a limited run (99 copies) digipak art-edition CD-R from the Hic Sunt Leones label run by ambient maestro Alio Die.
(19/04/2011):
Part of the raison d'être of the DiN label has always been about collaborations and "Exit Strategy" continues this tradition with a new joint venture between label boss Ian Boddy and Parallel Worlds. Greek electronic musician Bakis Sirros has had two well received releases previously on DiN under the moniker of Parallel Worlds namely Obsessive Surrealism (DiN26 2007) and Shade (DiN32 2009). Outside of DiN he has also collaborated with Italian ambient master Alio Die, IDM/electronica artist Ingo Zobel and ambient/experimental musician Steve Law.
Both Boddy & Sirros have a long, well documented love of analogue modular synthesisers and the organic sounds and rhythms these instruments can produce so in many ways it was inevitable that these two musicians would collaborate at some point. Sirros started the ball rolling with the composition of a series of both ambient soundscapes and more structured multilayered compositions. These featured his unusual pulsing, throbbing analogue percussion layers, warm soundscapes and beguiling melodies that are in many ways a signature sound of Parallel Worlds. Boddy took this raw material and shaped, arranged and sculpted it into a series of seven inter-linked tracks that form a musical narrative that runs throughout "Exit Strategy". Adding his glissando keyboard sound that was premiered on his album Slide (DiN31 2008) Boddy brought a real emotional focus to the album which, whilst it may seem to journey through dark, subterranean territory has some glorious melodic highlights.
"Exit Strategy" proves once again that the DiN label can conjure up new combinations of sonic palettes from internationally renowned electronic musicians.
(22/01/2011): our new Facebook page: http://www.facebook.com/pages/Parallel-Worlds/192093934136476